Unused Vampire Tropes

Given the popularity of the undead in mainstream media these days (or nights, as the case might be) one hopes a bit more variety might show up in the various movies and t.v. shows of the genre.

Books of course have nearly every trope imaginable, but also (nearly always) have far smaller audiences.  So let us deal with film and television.

Here are some ideas/themes/story elements that I haven't seen yet.  Every single one seems quite viable, enjoyable, full of potential.  And for the record, by no stretch of the imagination are they my own invention.  Each can be found somewhere in undead literature already--but hardly at all elsewhere.  Producers, writers, directors--take note.

• Detective turned vampire.  Oh wait, you say.  What about Angel or Forever Knight or Blood Ties, etc.?  Haven't we seen enough of these?  Actually, no.  All of the above are vampires-turned-detective.  What about someone who is already a detective, perhaps an FBI agent or a regular cop or some such, who becomes a vampire yet continues in his (or her) job?  This has all kinds of possibilities, not least watching the newborn undead learn the truth of their existence (a fascinating process with Jessica on True Blood incidentally) and at the same time solving crimes.
• Vampire Origins.  With the possible exception of the Dracula 2000 trilogy  (which was fun, but made little sense since vampires predate the birth of Christ), this is a startling untapped vein (sorry, sorry) of intrigue, mystery and adventure.  Consider how much Spielberg got out of the Holy Grail and the Lost Ark of the Covenant!  Think also how vampires themselves might view the question.  Would they be any less divided on such than mortal men?
• Undead Secret Masters.  Paranoia is good wellspring of story-telling, if a sad facet of normal human existence.  That is why The X-Files' frankly ridiculous theory about the JFK assassination had "legs"
  
  
  and the so-called "Masonic Conspiracy" about Jack the Ripper has made a couple of thrilling movies (even if the theory itself is nonsense).  But what about a story that explored the notion that a cabal of powerful vampires really do control the world, much as the Illuminati or the Gnomes of Zurich or some such are said to?  It could be they aren't particularly vicious or evil, even.  Our heroes might even work for them, tracking down genuine threats to world order and tasting all the angst that might go along with such a job.
• Bloodlines.  Quite simply, there are different types of vampires--each has their own culture, powers, weaknesses, etc.  Kindred: The Embraced dabbled in this ever so slightly, as did Forever Knight but what about exploring the idea as a genuine story element with real consequences?   How would it be if some vampires burned in sunlight, while others could shapeshift and still others needed to sleep in their original graves, and so on?  Imagine how such bloodlines might interact!
• Mysticism.  Understandably enough, the vampires portrayed on shows like The Vampire Diaries and movies like Let Me In are grounded in the physical.  But what about a totally different direction?  Legends of the supernatural tell much stranger tales--of beings that can be in two places at once, that are in some sense not even matter as we know it, vampires as more akin to blood-drinking ghosts than paranormal predators of humans.  Remember the owls on Twin Peaks?  Or the spookiness of the Let's Scare Jessica to Death?

Underused Tropes

Complaints about tropes in fiction usually consist of those so common as to become dull. Yeah, we've all seen the Reluctant Vampire, the Evil Twin, the Mary Sue, the Lost Heir to the Throne, etc. But what about the opposite? Elements of story-telling so little-seen (often with a reason, even if not a good one) that a successful use of them could not help but seem fresh?

Mind you, I'm reminded of the DVD commentary on the live action series The Tick. When that show started out, the executives gushed. "How original!" "This is ground-breaking!" "We've never seen anything like this before!" But then the ratings began to slide, and those same execs became repeating those comments, but instead of praise they intended criticism. "Seems too original." "Maybe this is too ground-breaking." "Problem is--no one's ever seen anything like this before..."

So taking all that follows with a grain of salt might be a good idea.

To start with, I'd love to see some exposure for the Eastern Orthodox Church. Actually, that name is something of a misnomer. There are about fifteen or so Orthodox Churches who share communion, but who are each headed by a Bishop considered equal to all other heads. Yet despite local differences of custom and language, those fifteen agree on all major issues of doctrine. To be baptized in one means you may take communion in any. Yet this, the second largest Christian denomination in the world, might as well not exist in terms of English language literature, television and film. Offhand, I can think of only three depictions of Christian Orthodoxy--all of them extremely minor (they are Bram Stoker's Dracula, one episode of BBC's Poirot, and an episode of the re-imagined Twilight Zone). None of these even vaguely hint at Orthodox beliefs, not coincidentally. And therein lies the real shame, because this (certainly one of the oldest of Christian churches) carries some fascinating insights. To give a single, brilliant example (which, to be fair, was an element in one major film I can think on) is the notion that God did not make Hell, but that Man did--when men reject God's love, into which they return after death, that rejection is what creates Hell. Damnation, in other words, is a direct result of who you are, not (necessarily) what you do.

Another trope methinks we see far too little of is the Ethical Corporate Executive. As I recall, there was one on The West Wing, and way back in my childhood there was a marvelous series called The Name of the Game, with the "hero" being the CEO of Howard Publications. Offhand, Lucius Fox of The Dark Knight is nearly the only recent example that comes to mind. In fact, this trope was probably over-used in the 1950s, and one can understand how much more easily it is to use this figure as a villain. But after a certain point, it becomes worse than sloppy story-telling, this can become a self-fulfilling prophecy. Once the idea that working in business is unethical becomes commonplace, then the ethical are less and less drawn to business as a career. An oversimplification? Yes. But with more than a grain of truth behind it as well. My own bet is that the vast majority of corporate bigwigs are just these folks doing their jobs--with the same sorts of foibles, strengths, pains and joys as the rest of us. Not reflecting that seems like imaginative laziness. At best.

Next up is something rarely seen as anything other than the butt of a joke or as an indication of some character's inherent twisted-ness: Male submission. One can pretty easily find the trope of women who secretly (or not so secretly) long to be taken, to submit to someone stronger than themselves, at least in terms of erotic play. One can every now and then spot positive depictions, such as the movie The Secretary with Maggie Gyllanhall and James Spader (great film, not-so-incidentally). But even a casual visit into that subculture reveals how very many more males are looking to be slaves to ladies, than the other way round. Makes sense when you really think about it. Do you fantasize about being yourself? Or about being something you're not? Culturally, men have the upper hand in our civilization, so men are more likely to have dreams of submitting (I've been told by someone who ought to know that there are many more submissive males than there are dominant females to fulfill their desires). Yet this aspect of sexuality all around us remains hidden, or at least deliberately ignored.

Methinks I'll have more examples for a later post.