Showing posts with label trauma. Show all posts
Showing posts with label trauma. Show all posts

Monday, August 12, 2024

If I Needed Someone (review)



Spoilers ahoy!

For those of you who don't know, a "two hander" in theatre parlance is a play with only two characters who pretty much share the stage for the entire performance.  If this sounds hard, it is.  Very hard.  Especially in a full ninety-minute play.  Even more when the play is one long scene.

If I Needed Someone by Neil LaBute is just such a play--demanding an enormous concentration without letup for almost two hours.  

Jules (Devin Davis-Lorton) is an animator who's invited Jim (Adam Langsam) back to her apartment during a part.  She is quite drunk and with this setup one might expect a work of horror a la Ira Levin.  Instead, we are witness to a wildly awkward dance between two people trying to connect--all the while each creates an obstacle course of their personal issues.  Which can be funny!  And sometimes, is!  More, it can be heart-breaking.  Again, it sometimes is.  Just as it is sometimes simply educative, sometimes touching, sometimes deeply uncomfortable (for so very many reasons) and sometimes very hope-ful.

These actors accomplish a Olympic level effort, not only in terms of bringing truth to their every word (no small feat) but in listening to each other (sometimes), allowing themselves to change (eventually).  In the process we learn to know them, learn a lot of their individual hopes and pains.  More, we even reach that special point when sooner or later we say quietly to ourselves "that is me."

Because the two person cast--while proving themselves capable of this acting marathon--have a very good script with which to breathe life into a fictional tale on stage.  It feels remarkable complete in its portrait of these two people, living as we do, in a time of change and not really sure precisely how to navigate their own time.  Again, like us.  Each ultimately wants very much to reach out, and each ultimately navigates those obstacle courses mentioned earlier.  From a slightly slow start, the script gives us a powerful series of moments and revelations between people who want to connect, want to understand each other, want someone to not give up (while of course not being a predator, a liar, a psycho or creep of some kind).  The conclusion, simple in some ways while intensely complex in others,  reminds us we can indeed connect.  Loneliness is not incurable.  We may be doomed to die, but we are not doomed to live totally alone.

Or we don't have to be.

Kudos to everyone involved, including of course director Frederique Michel

If I Needed Someone plays  Thursdays, Fridays, Saturdays at 8pm, and Sundays 4pm until Sunday, September 22, 2024 at the City Garage, 2525 Michigan Ave. Building T1, Santa Monica, CA 90404  

Monday, June 19, 2023

Sherlock Holmes The Last Act

 Spoilers ahoy!

Having been a Sherlockian since around 1970, and having written my own Holmes murder mystery (watch this space for details), I eagerly planned to see Sherlock Holmes the Last Act.  Wasn't quite sure what to expect.

In truth this proved a solo show in which an aging Holmes has just returned from the funeral of Dr. John Watson, his one true friend.  Holmes (Nigel Miles-Thomas) at this point seems very much the powerful mind and piercing figure he has always been.  But not so, not really.  He finds himself diving, or perhaps falling into memories of his days as the Great Consulting Detective.  Again and again he recreates the moment he met Watson.  ("I perceive you have been to Afghanistan")  Eventually his memories take him further and deeper.  Into un-charted territory, or at least un-chronicled.  Things Watson never knew...

Writer David Stuart Davies does a very fine job of weaving the Holmes we know with what we don't know, but might have been.  Much of what he comes up with accounts for several patterns in the Great Detective's life, not least perhaps his need for stimulation, his distrust of women coupled with his strong desire to protect them, his craving for what he called "excitement" but comes across (in this work, anyway) as distraction, his willingness to let certain criminals simply go free.  

More, and this is praise for both actor and writer as well as director Gareth Armstrong, all this emerges in a way I don't think anyone needs much familiarity with the books and stories to appreciate the story.  Lacking the time that folks like Benedict Cumberbatch, Jeremy Brett, Basil Rathbone (to name a very, very few) had to work with the character, Miles-Thomas admirably bring Holmes to life.  More, I get nice glimpses of the other people in his life, including Watson (of course) and his father.

I do think the pacing feels a bit rushed, but then the Fringe only gave this show a 60 minute slot (in practice this means more like 55 minutes or less).  I feel it probably needs 65, maybe 70 full minutes to let everything sink in.  

Sherlock Homes The Last Act plays at the Broadwater Second Stage, 6320 Santa Monica Blvd., Los Angeles, CA 90038 three more shows as of this writing:

  • Wednesday June 21 2023, 8:00 PM
  • Friday June 23 2023, 9:00 PM 
  • Saturday June 24 2023, 7:00 PM