Spoilers ahoy!
ZJU in North Hollywood would seem a total natural for grand guignol, that visceral style of over-the-top theatre from 19th century France. Madness! Murder! Mayhem! by Colin Mitchell is a trilogy of mini-plays based on that genre, directed by Jana Wimer. Inspired by, but not completely following the conventions. True grand guignol would be much more violent and gory. Instead, these three use more psychological horror--and to considerable effect! I felt as if I were watching a really good horror anthology--which in truth seems exactly what I was doing!
"At the Break of Day" began the evening, with Ken MacFarlane (who pretty much stole it) and Roland DeLeon playing inmates in a French prison. DeLeon's character is due to be executed. His cellmate points out "Madame Guillotine" waiting for her new lover in the courtyard just visible from their meager window. It becomes a game of cruelty between them, the one relentlessly stirring up the other's imagination until at last one or more of them breaks.
"Natasha" Colin Mitchell as an early 20th century English psychiatrist worms his way into Judge Dale Sandlin's chambers for a chance to use hypnosis on a young woman who may have been witness to a terrible murder. Jonica Patella is the young woman, giving the kind of superb performance I've come to expect. All throughout this I expected some kind of horrible twist. Not only was I far from disappointed, I was genuinely surprised. The dynamics of interactions between these three strangers in particular worked well in establishing a reality, which made the final revelations all the more horribly real.
"Orgy in the Lighthouse" Vincent Cusimano (recently Iago in Othello) is a lighthouse keeper in New England, visited by his friend Alex Walters (director of the recent Don Juan) one night, insisting on giving his friend a good time. In this case the 'good time' involves a pair of prostitutes played by Shayne Eastin and Jessica Madelaine. Once again, I was surprised again and again, by character no less than plot, and ultimately the horror of this little tale emerged from character rather than events (violent and grostesque as those events proved to be).
Altogether an effective and unsettling exploration of horror stories, one that left me very impressed. My mouth smiled. My ears pricked. My skin crawled. What more could one ask for, really?
Madness! Murder! Mayhem! will play Fridays at 8:30pm through July 31 at ZJU 4850 Lankershim Blvd, (just south of the NoHo sign) North Hollywood CA 91601. You can make reservations at (818) 202-4120 or by visiting zombiejoes.com
Showing posts with label colin mitchell. Show all posts
Showing posts with label colin mitchell. Show all posts
Friday, July 10, 2015
Thursday, November 14, 2013
Breaking & Entering (review)
Spoilers ahoy!
Breaking & Entering is the latest original production at Zombie Joe's in North Hollywood. Honestly I didn't quite know what to expect. For one thing, there was the startlingly well-stocked set--complete with desk as well as sofa and screen. Given the black box nature of ZJU I'm more used to minimalist sets.
The reason became clear soon enough.
W.J.Trumbull (Matthew Sklar) lives here, a recluse novelist who wrote a bestseller decades ago. Not just his home, this place is his fortress against a world that he doesn't want or like or trust or...something. Therein lives one the many mysteries. Mysteries that may (or may not) be solved by evening's end.
Trumbull is trying to listen to a baseball game, which (to his intense annoyance) includes a commentator (Jerry Chapell) who quotes him over and over. There's a small power outage. Hence enter a girl (Catherine Canipe). She, as per the title, breaks and enters into the author's home. She introduces herself as Milly Smith and demands he read her novel.
Cue the groans and laughter.
But...we proceed from there to something far more interesting, and only a little less funny. Trumbull predictably enough rolls his eyes, but also engages in conversation. He listens to some of what Milly has to say. Asks a couple of questions. Offers her a drink. And little secrets, confessions, possibilities begin rearing their heads. Why hasn't Trumbull written anything in fifty years? Or has he? What happened to the man's wife? Milly insists her novel tells the story of what is happening between them right now. How can that be? Meanwhile, every now and then, the sports announcers come back and tell more about what must surely be the longest baseball game in history (Jason Britt portrays the second announcer).
In effect, what we're seeing is a journey inside a human mind, complete with metaphorical commentary. This sort of thing can crash and burn real easy. Done with preciousness or self-consciousness, plays like this fail. What they need to work are actors who commit totally to the emotional truth of what happens, the moment-by-moment interplay. Given the leads recently appeared together in the delightful (but campy) Captain Dan Dixon Vs. The Moth Sluts from the 5th Dimension, one might halfway expect/suspect a similarly campy approach. But...no. Canipe and Skar never avoid the humor of their scenes, yet they remain deep inside the story, reacting not as actors but as characters. The result is something like a cross between Sleuth and Six Characters In Search of an Author. I find myself not wanting explain what that means too much. Far better for audience members to experience the reality shift for themselves.
To offer a clue, at one point I genuinely asked myself if only one of these two lead characters--the tetchy old novelist or the young fervent one--might in
fact be real? But if so, should one of these two be only a figment of the other's fertile imagination, what I couldn't decide was which was which? Is this a fantasy on the part of Milly, her novel as she sees it playing out? Or is a sequel by Trumbull to his long-ago best-seller, delving into the weird world of his imagination. Or, her imagination?
You know what? I'm still not sure. About any of it. But like the end of The Usual Suspects or The Turn of the Screw I'm still pondering.
Colin Mitchell wrote this play, a lovely tour-de-force of character and language which I for one enjoyed thoroughly! Sebastien Munoz directed, whose skills in that position I've watched with growing appreciation. The whole production showed more focus, as well as the energy and fun which usually go with his plays. Makes me look forward to his next directorial effort that much more. Likewise, I'll now keep an eye out for any more plays written by Mitchell!
Zombie Joe's Underground Theatre Group, 4850 Lankershim Blvd., North Hollywood, CA 91601. Performances run on Fridays & Saturdays @ 8:30pm, NOV 8 - 29.
Breaking & Entering is the latest original production at Zombie Joe's in North Hollywood. Honestly I didn't quite know what to expect. For one thing, there was the startlingly well-stocked set--complete with desk as well as sofa and screen. Given the black box nature of ZJU I'm more used to minimalist sets.
The reason became clear soon enough.
W.J.Trumbull (Matthew Sklar) lives here, a recluse novelist who wrote a bestseller decades ago. Not just his home, this place is his fortress against a world that he doesn't want or like or trust or...something. Therein lives one the many mysteries. Mysteries that may (or may not) be solved by evening's end.
Trumbull is trying to listen to a baseball game, which (to his intense annoyance) includes a commentator (Jerry Chapell) who quotes him over and over. There's a small power outage. Hence enter a girl (Catherine Canipe). She, as per the title, breaks and enters into the author's home. She introduces herself as Milly Smith and demands he read her novel.
Cue the groans and laughter.
![]() |
| Credit: Sebastian Munoz |
In effect, what we're seeing is a journey inside a human mind, complete with metaphorical commentary. This sort of thing can crash and burn real easy. Done with preciousness or self-consciousness, plays like this fail. What they need to work are actors who commit totally to the emotional truth of what happens, the moment-by-moment interplay. Given the leads recently appeared together in the delightful (but campy) Captain Dan Dixon Vs. The Moth Sluts from the 5th Dimension, one might halfway expect/suspect a similarly campy approach. But...no. Canipe and Skar never avoid the humor of their scenes, yet they remain deep inside the story, reacting not as actors but as characters. The result is something like a cross between Sleuth and Six Characters In Search of an Author. I find myself not wanting explain what that means too much. Far better for audience members to experience the reality shift for themselves.
To offer a clue, at one point I genuinely asked myself if only one of these two lead characters--the tetchy old novelist or the young fervent one--might in
![]() |
| Credit: Sebastian Munoz |
You know what? I'm still not sure. About any of it. But like the end of The Usual Suspects or The Turn of the Screw I'm still pondering.
Colin Mitchell wrote this play, a lovely tour-de-force of character and language which I for one enjoyed thoroughly! Sebastien Munoz directed, whose skills in that position I've watched with growing appreciation. The whole production showed more focus, as well as the energy and fun which usually go with his plays. Makes me look forward to his next directorial effort that much more. Likewise, I'll now keep an eye out for any more plays written by Mitchell!
Zombie Joe's Underground Theatre Group, 4850 Lankershim Blvd., North Hollywood, CA 91601. Performances run on Fridays & Saturdays @ 8:30pm, NOV 8 - 29.
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